| |
|
|
|
Address
Unknown
By Kathrine Kressmann Taylor
|
Address Unknown
belongs among the great and irreplaceable texts on the
Holocaust, like the Diary of Anne Frank (1947) and Szpilman's
Pianist (1996), an unavoidable document which speaks about the
creation and continuity of fascism as a new, little-known
pestilence on the European political stage.
Its contemporary
revival underscores the continuing attraction of fascism as a
theory that justifies systematic radicalism, violence, and
hatred. The power and pull of this drama shows how fascism and
the forces that led to the Holocaust have only changed their
location and form of appearance, whether the expansion of
skinhead and right-wing movements, in modern European societies,
the nationalist isolationism of the breakup of the former
Yugoslavia, or the failure of these communities to confront
crimes their members committed during the war.
|
|
|
|